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I am always looking for the next controller for Pro Tools, and when my business partner Mike emailed me about the new iPhone Pro Tools Controller, I new that we were moving into a new world. In this world, the reality will be small handheld devices that really do manage and help out with everyday life - the true pocket PC is here. Check it out:

[youtube]http://www.youtube.com/watch?v=YGUGgcoQ09A&eurl=http://www.engadgetmobile.com/2007/12/11/iphone-hacked-to-control-pro-tools/[/youtube]

Although I haven’t been able to download it, I am an iPhone owner and user (as well as hacker), and I have used many of these 3rd party apps. I have no doubt that this will prove to be as smooth and easy as it looks to use - but if it really ends up at $150 per install, I’m not sure how many people will actually use it. Currently there are hundreds of 3rd party apps that are available via the “install” app that can be used once the iPhone is “freed.” Every single one is free, and considering that I can use VNsea to control my computer via my iPhone (for free) I’m not sure that I’ll throw another $150 into my $350 iPhone (that’s a lofty percentage). So, I’ll look on with jealousy and hope that they future holds better handheld devices with more and more utilities to help us manage our everyday life.

3rd Party Interface Options

In the last post, I was talking about the DigiDesign brand interfaces for Pro Tools HD.

Aside from less than exciting sound quality, they are also large, heavy and feature cooling fans that add noise to your control room. So, after hearing a lot about Apogee products for years, and learning that there was a way to add a card to their units that would allow you to bypass using a 192, we took the plunge and bought a couple of Rosetta 800’s for our live rig.

Apogee Rosetta 800 w x-hd card
The Apogee lives up to its marketing tag line: it sounds amazing. I love the sound of this box. It is warm, punchy, rich in the bottom and it performs remarkably well. It has a wide array of I/O options, lightpipe, AES and an option card for HD connection (or firewire if you so choose). My only complaint about it is with the X-HD card option: you can only run 8 channels in and out. Another nice feature is that it uses no cooling fan (I can’t seem to stop talking about that on this post). Fits in a Single rack space which makes it very portable. With the lightpipe connection you can use it with a Digi 002 as well when you need to do the occasional low budget remote and still have it sound great. Very helpful and responsive tech support too. The Apogee people always answered the phone and talked us through some serious problems at first when we had a bad HD card. They fixed it really quickly and got us going, even upgrading our Rosetta 96k to a 192 at no charge. I can recommend them without hesitation.

Lynx Aurora 16 w LT-HD card
This is also a great sounding box. Much cleaner and detailed in the top end than the Rosetta. Both the Apogee and the Lynx seem to put the Digidesign converters to shame. It is definitely more transparent than any other converter I’ve worked on with Pro Tools. I really like this box for live recording because it fits 16 channels of A/D and D/A conversion into Pro Tools directly (with the LT HD card) in a single rack space. My only gripe about it is that the digital I/O is only AES, which means that can’t use it with a 002 for low budget remotes. But that’s a minimal gripe. I’m sure there’s a format converter out there somewhere that I just haven’t researched yet. This box does generate a fair amount of heat (as does the Rosetta) so give it some room in your rack if you can.

Summary

I think I prefer the sound of the Apogee Rosetta, it just seems smoother and I find myself less fatigued at the end of a long day when I work with it. The Aurora is definitely more defined in the top end (which is probably why I feel fatigued after using it) and it is also probably translating the sound of digital audio more transparently. The Apogee feels more analog.

Both of these units sound much better than the DigiDesign options the 96 or the 192 io. Even if you own one of those units, try out some external converters. It can really improve the way you hear your mixes.

HD interface options
There are several interface options when working with an HD system. Of course, Digidesign would like you to only consider their branded version of the Pro Tools interface (and it is the only one that’s officially supported) but there are a growing number of 3rd party interface options that you can choose from. [...]

Master Faders in Pro Tools
The master fader is one of those overlooked, yet very helpful, devices in pro tools. Most people use a master fader only on the main output, then they often slap a 2 bus limiter (like the Massey L2007 or Waves L2), maybe a meter plug in and then route it to [...]

Digidesign PRE
Possibly one of the most underrated and undervalued multi mic pre box on the market.
I don’t really know why Digidesign doesn’t promote these more heavily. Perhaps their margins are lower on this, or the competition in the marketplace just doesn’t make it worth the effort for them, but these are some really great mic [...]

Sony Oxford REQ 3 Plug In (now known as Sonnox)
Ease of Use
8
% of projects I use it on
100
Sound Quality
8
What it is:
5 Band EQ with low and hi cut filters, Parametric and switchable low shelf
4 different types of Q presets
Why I like it
-    This is my first call EQ. 8 out of 10 times, this gets [...]